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Contest shines a light on the Ndebele matrilineal culture of home painting

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BY TENDAI MARIMA

MATOBO – Peggy Masuku put the finishing touches on the welcome sign to her homestead in Matabeleland South’s Matobo district.

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She surveyed her handiwork, six months of designing and painting her huts in anticipation of an annual competition, My Beautiful Home, which recognises the most beautiful traditionally decorated homes in the district.

It was a one-woman effort – with some with some constructive criticism from her husband – to decorate the homestead’s huts in patterns of brown, black, red and grey.

Adorned, they stood out among the orange and lemon trees and the rock garden dotted with native aloes and cactus plants.

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In Ndebele culture, hut decoration is solely a women’s duty and the secrets of the traditional patterns and the making of natural paints have been passed from one generation to the next for hundreds of years.

As a young girl, Masuku learnt how to design patterns and paint huts from her mother.

Now she only designs what she feels. “I listen to the walls as I work and I feel like they tell me what sort of shape I must put,” she said.

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“There’s a feeling you get when you create art and that’s what guides me as I put designs on the walls.”

The My Beautiful Home awards started in 2014 with just 30 entrants.

When the competition began, its purpose was to document and preserve the local Ndebele tribe’s tradition of painting homes.

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In recent years, the contest has attracted attention well beyond Matobo, drawing judges, sponsors and cultural enthusiasts from elsewhere in Zimbabwe and from other countries.

Originally from present-day South Africa, the Ndebele fled 19th-Century Zulu wars and settled in present-day Zimbabwe in the 1830s, bringing with them the tradition of exterior hut-painting in geometric designs using earth-toned natural dyes.

Over time, the designs have come to incorporate patterns from other cultures, and the creativity of the hut-painters has evolved to include wild animals, flowers and people.

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Interior painting, which has become part of the culture of beautifying the home, is a tradition borrowed from the local Shona people.

Throughout the Matobo Hills, art is woven into life.

The landscape is studded with massive granite boulders, some of which create caves that shelter ancient paintings.

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Believed to have one of southern Africa’s largest concentration of rock art, the caves of the Matobo Hills are adorned with images up to 12,000 years old.

When it’s time to paint, Masuku seeks her raw materials from surrounding nature.

In Masuku’s village of Mafela, anthills are a common sight and she uses the greyish soil from the anthill domes to make her grey and white paints.

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She also uses ash and charcoal residue from fires to create black and white.

The reds and browns come from red clay soil, but she has to travel long distances with her wheelbarrow in search of good quality soil and water.

She does it all herself; her husband is severely asthmatic so he can’t help with the sourcing or making of the mud dyes.

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Masuku begins painting during the dry season which normally runs from March to October.

“It takes me a long time to finish decorating because I have to do so many other duties at home, I have to cook daily, [and] during the harvest season there are crops to be picked.

When I have time, I go into the bush to look for the different soils.

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I have to bake some of the soils so I get the specific colour I want,” she explained.

She daubs her paints onto the walls using old socks and netting fabric.

The geometric patterns she paints reflect traditional Ndebele art.

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Masuku’s designs have earned her two wins in the My Beautiful Home contest, in 2018 and 2019.

According to the founder of the competition, Pathisa Nyathi, a local historian and director of local community arts centre, the Amagugu Heritage Centre, the geometric patterns, especially the circular forms, have a deeper symbolism.

“The round shape represents the contour of the Earth, Sun, Moon and any other planets,” Nyathi said.

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“Everything the Africans built in medieval times were round in shape, be it their houses, kraals [enclosure or group of houses around an enclosure], shields or pots…

“Old Bulawayo grass huts are all in a circular shape.”

This year, Masuku is expanding her efforts.

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She has extended her decor to the outside eating area and is experimenting with new styles such as drawing hands and flowers in the kitchen.

When Masuku first entered in 2018, she took it as an opportunity to exhibit her skill in making dresses using organic materials.

Her works have included a strapless dress made from the leaves of corn cobs, shoes sequined with pumpkin seeds and a necklace made from the seeds of wild trees.

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“I spent three nights sewing the first one with my machine.

“I don’t know if I’ll make something else this year, but making clothes from natural [and] free things are my favourite designs,” she explained.

Each year in August, hundreds of women enter the contest supported by Ekhaya Gaia a local NGO supporting sustainable communities, to showcase their adorned homes.

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Prizes include farming and water implements such as ploughs, wheelbarrows and water storage tanks.

For each of her wins, Masuku was awarded a water tank, which she uses to harvest and store rainwater to get through the dry months of the year.

After months of painting, the results fade quickly.

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Each year, the elaborate decorations are washed away with the coming of the rains in October.

It’s a loss but also a welcome end to the dry season.

And it offers these house artists a fresh canvas for the next year.

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For now, not many tourists are visiting the Matobo Hills for hiking, bird watching or to admire the painted homes due to lockdown travel restrictions.

But to Masuku, this remains a special place.

“When I’m here I don’t have to worry, I breathe the fresh air and it brings me back to my inner centre, where I should be,” she said.

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The traditions celebrated by the My Beautiful Home contest are specific to the region, but their spirit is universal.

“I hope that other people around Zimbabwe will be inspired to decorate their homes,” she said, “and to make their homes into something they love.” – BBC Travel

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In the community

Tsholotsho man jailed for stealing and slaughtering neighbour’s goat

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BY STAFF REPORTER

A 31-year-old man from Tsholotsho has been sentenced to an effective six months in prison after being convicted of stealing and slaughtering his neighbour’s goat.

The incident occurred on 11 July 2024 when the complainant released his herd to graze at Mhlahlo grazing land. One black-and-white goat failed to return, prompting the owner and fellow villagers to launch a search.

The search led to the accused’s homestead, where the complainant positively identified the carcass of his missing goat. The man initially denied involvement in the theft, but investigations revealed overwhelming evidence linking him to the crime.

He was arrested and placed in police custody but later escaped while being taken to the police station. The escape was promptly reported, leading to his re-arrest.

The court sentenced the accused to 12 months’ imprisonment, with three months suspended on condition of good behaviour. A further three months were suspended on condition that he pays restitution amounting to ZAR1 500. He will therefore serve an effective six-month prison term.

In a statement, the National Prosecuting Authority of Zimbabwe commended communities for remaining vigilant and reporting crime promptly.

“Justice is strongest when citizens stand together against lawlessness. Silence and tolerance of crime only empower offenders,” the NPAZ said.

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EMA, Lupane State University step up fight against deadly Umkhawuzane in Mat North

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BY WANDILE TSHUMA

The Environmental Management Agency (EMA), in partnership with Lupane State University, has launched a community-based initiative to control and reduce the impact of the toxic plant Dichapetalum cymosum, locally known as Umkhawuzane or Gifblaar, which has caused significant livestock losses in Matabeleland North.

The initiative, focuses on managing the spread of the poisonous plant, which is widely recognised as one of the most dangerous threats to cattle in Southern Africa. Gifblaar is estimated to contribute to about eight percent of livestock deaths linked to toxic plants in the region. The plant contains fluoroacetate, a potent toxin that causes sudden death in animals and poses risks of secondary poisoning through the food chain.

According to EMA, the study was carried out in Ward 18 (Makhovula) in Lupane District and Ward 10 in Umguza District. It combined community sensitisation with mechanical and chemical control trials aimed at identifying effective ways to eradicate the plant.

Community engagements revealed a high level of awareness among farmers about the toxicity of Umkhawuzane. Farmers reported losing an average of three to four animals per household during the winter season, when forage is scarce and the plant remains green, increasing the risk of livestock consumption.

Results from the trials showed that mechanical removal of the plant produced promising outcomes. No regeneration was observed in areas where roots were excavated to depths of between one and 1.5 metres. However, chemical control using glyphosate only led to temporary suppression of the plant and did not achieve complete eradication, while also affecting surrounding vegetation.

EMA said the findings highlight the need for integrated and site-specific management approaches. These include effective mechanical removal, cautious use of chemicals, and continuous community education to prevent further losses.

The agency, together with Lupane State University, reaffirmed its commitment to working closely with local communities to protect livestock, improve rangeland management and reduce the economic losses caused by Umkhawuzane in Matabeleland North.

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In the community

Two missing Apostolic Faith sect members found deceased in Zambezi River

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BY NOKUTHABA DLAMINI 

Two members of an Apostolic Faith sect who were swept away by strong currents during a baptism service on the Zambezi River in Victoria Falls on Saturday have been found deceased, two days after they went missing.

Search and rescue efforts, which had been ongoing since the incident, culminated on Monday when the two bodies were located with the assistance of a local rafting company operating on the river.

Confirming the development, Victoria Falls Residents Association chairperson, Kelvin Moyo, said the discovery brought a tragic end to hopes of finding the pair alive.

“As of this afternoon, we have received confirmation that both bodies have been found,” said Moyo. “The operation was supported by a local rafting company, and at the time of the update, teams were still working on the process of retrieving one of the bodies from the river.”

Moyo said the incident has once again highlighted the dangers associated with conducting religious activities in the Zambezi River, particularly during periods of strong water flow.

He urged residents and visitors to exercise extreme caution when approaching the river and called on religious groups to prioritise safety when carrying out baptism rituals.

Authorities are expected to continue engaging relevant stakeholders on safety measures as the community comes to terms with the loss.

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