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Hwange volunteers fighting to save wild dogs from extinction
BY NOKUTHABA DLAMINI
Forty seven year-old Sarah Makina is one of the volunteers from Hwange fighting to save painted dogs from extinction and earning a living while doing something that has become a passion.
Makina from Mabale village on the outskirts of the Hwange National Park and other volunteers regularly venture into Zimbabwe’s biggest game reserve searching for snares used by poachers to trap the wild animals that are threatened with extinction.
The villagers take the snares to Iganyana Art Centre in Dete, which was set up by the community under Chief Nelukoba, where the deadly traps are used to make artifacts to raise awareness about poaching and the importance of conservation.
Makina became involved in the initiative after Chief Nelukoba mobilised the community to take action after he stumbled on a dead female painted dog near his homestead.
“A community meeting was called, and the chief was not happy about the incident as the painted dog was killed by a snare set by poachers. He explained to us that the animals were already at risk of extinction,” she said.
The dead painted dog was brought to the meeting and after a long address by the chief, the community decided to take an initiative to form a committee that will go to the game reserve every day to remove snares.
The Painted Dog Conservation (PDC), an non-profit organisation set up to protect painted dogs – also known as African wild or hunting dogs – joined hands with the Mabele community to set up the Iganyana Art Centre in 2003 where the snares are turned to into artifacts.
Through the initiative the community has removed over 30 000 snares since 2002.
The centre provides materials and training for local’ artisans, who turn snares into beautiful sculptures.
A ranger carrying recovered snares
Ronnie Sibanda, PDC’s communications and marketing manager, said the 23 young people at Iganyana Centre, had acquired skills to use the recovered snares to create artifacts depicting wild animals such as painted dogs, lions, pangolins and giraffes, among others.
“When our anti-poaching communities collect snares from the wild, they bring them to our art centre made up of 23 youths’ artisans who then transform the snares into art,” Sibanda said.
“So it’s turning tragedy into conservation, education, skills and income sustainability.”
“When a painted dog was snared in Mabale which is in our area operation, Chief Nelukoba was not happy about it and the communities formed a voluntary anti-poaching unit to help by patrolling in their areas.
“To date we have over 60 Mabale volunteers and we have also started to see even other neighbouring communities like Dopota, Nabushome and Sianyanga joining in.”
PDC equips the volunteers with equipment to protect themselves from poachers and uniforms.
“They have worked hard to reduce wildlife related crimes through our support with equipment such as the GPS trackers, boots, old uniforms from our anti-poaching unit rangers, shoes so that when they go out they can be identified,” Sibanda added.
“Since then we have not recorded any dog being snared.”
He said at the height of Covid-19 induced lockdowns in 2020 they recorded an upsurge in poaching of wild animals such as kudus, impalas and antelopes.
Volunteers such as Makina swung into action and helped to remove 5 000 snares in three months.
“Covid-19 came by with lots of hardships and desperation where we saw a rise in poaching activities and engaged the first group from Mabale to deploy them outside their community to beef up our scouting team of 16 and because of that effort, we removed 5 000 snares in a space of three months,” Sibanda said.
“The numbers went down to 1 900 after maintaining the stance of putting more boots on the ground such that even the poachers were now scared and that is why we saw a reduction in six months.”
The initiative has seen 85 rescued painted dogs being rehabilitated and released back into the wild.
“Our mission is to create an environment where painted dogs can thrive and we are trying to do this using several methods that include an anti-poaching unit work in the Hwange buffer zone and we also have the rehabilitation facility where we take care of sick or injured dogs as well as dogs from compromised backgrounds such as the puppies whose mothers have been ensnared and a research department monitoring the dogs, particularly those that are vulnerable in unsafe areas,” Sibanda said.
PDC is monitoring six packs of painted dogs on a daily basis across the Hwange National Park and four packs in Mana Pools National Park.
According to scientific research on the painted dog population in Hwange National Park in 1990s, there was a decrease of the dogs’ population to 100 due to space limitations, snares, road kill and diseases.
The game reserve now has an estimated 200, thanks to the conservation work by the organisation and the communities.
There are fewer than 7 000 painted dogs left across Africa. Other parts of the world do not have painted dogs.
*This story was first published by The Standard
BY NOKUTHABA DLAMINI
Born in Kadoma and raised across various towns in Zimbabwe, gospel artist Marvin Dube carries with him the deep spiritual and cultural roots of his Tonga heritage from Junamina village in Binga. Now based in the United Kingdom, Marvin is making waves in the gospel music scene, using his voice and message to uplift, heal, and inspire.
Following his previous single “Munoziva Zvose”, Marvin continues to evolve as a gospel minister and artist. His latest songs, Tinetariro and Tendai Mwari, showcase a refreshing mix of faith, gratitude, and reflection on the moral and spiritual challenges facing society today.
Below are excerpts from his interview with Nokuthaba Dlamini, Managing Editor for VicFallsLive, where Marvin opened up about his inspiration, journey, and the purpose behind his new work.
What inspired these new songs, and what message do you hope listeners take away from them?
Marvin Dube:
Both Tinetariro and Tendai Mwari were born out of reflection and prayer. Tinetariro speaks about hope — the kind that reminds us we are God’s children, even in times of moral decline and confusion. I was inspired by the challenges we are facing today, especially among the youth. Many have lost direction and respect, and social media has become a space where spiritual values are often mocked.
I wanted to use Tinetariro to remind people that there’s still hope for our generation — that God hasn’t forgotten us.
Tendai Mwari carries a message of gratitude. It encourages us to appreciate God for the little we have and to remain thankful even before we receive the big things we dream of — the car, the house, the job. Gratitude opens doors, and I want listeners to embrace that attitude of thankfulness every day.
How do these songs reflect your personal journey or growth as a gospel artist?
Marvin Dube:
These songs mark a point of maturity in my journey. I’ve grown to understand that gospel music is more than melody — it’s ministry. I now write with more purpose, aiming to address real issues affecting believers and society. Tinetariro and Tendai Mwari reflect my growth in both faith and artistry, showing that gospel music can heal, correct, and inspire all at once.
Can you tell us about the creative process, from writing to production, and who you worked with on this project?
Marvin Dube:
My creative process is very spiritual and organic. I draw a lot of inspiration from preaching. Often, a melody will start as a small tune in my mind — it keeps ringing until I can’t ignore it. Usually, the chorus comes first. I then take time to pray for inspiration to write the verses so that the message aligns with what God wants to say through the song.
After that, I play the song on my guitar, record a rough version, and share it with the producer or the band I’ll be working with. For this project, I worked with Hertz Records, who have produced all my music to date. They truly understand my sound and help me bring my ideas to life.
I also want to give a special shout-out to my wife, Leonora, and my two little kids. They’ve been my biggest supporters and motivation throughout this journey. Their love and encouragement mean everything to me.
How do you see gospel music evolving in Zimbabwe and Africa, and where do you see your work fitting into that movement?
Marvin Dube:
Gospel music in Zimbabwe and across Africa is evolving in powerful ways. Artists are finding new ways to reach wider audiences by blending traditional gospel messages with contemporary sounds. It’s exciting to see how the gospel is being shared in modern, relatable ways — especially among young people.
I see my work fitting right into that movement. My goal is to be a bridge between generations — to deliver timeless spiritual truths with a fresh, modern sound that speaks to today’s world while staying true to the Word of God.
What has been the most powerful reaction or testimony you’ve received from people who have listened to your music?
Marvin Dube:
One of the most powerful testimonies I’ve received came from a young listener who said Tinetariro gave them hope again after going through a very dark season. They told me the song reminded them that God still has a plan for their life. Hearing that touched me deeply. It’s moments like those that remind me this is more than music — it’s ministry, and I’m humbled that God is using my songs to touch lives.
Closing Note
Marvin Dube:
I’m truly grateful for the love and support I’ve received for Tinetariro and Tendai Mwari. If you haven’t listened yet, both songs are available on all streaming platforms and on my YouTube channel, Marvin Dube. The year 2026 will be even more exciting, with several projects already in motion that I believe will uplift and bless many lives.
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