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Inside Ntjengeti Sibanda’s contribution to the Tribes: Staffordshire to Matabeleland

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BY NOKUTHABA DLAMINI 

Meet Ntjengeti Sibanda, a photographer and filmmaker behind the Tribes: Staffordshire to Matabeleland. 

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His documentary which he filmed sought to explore the lobola customs of the Ndebele people, from a diasporic lens and gives a hint of what the process has transformed into in the current global society.

Sibanda’s dream of being a filmmaker began in 2012 when his brother bought him a camera as a luxurious gadget. 

He immediately fell in love with the digital art industry where he has found himself being contracted by various commission companies such as the Zambezi Magic and rubbing shoulders with cinematography producers such as Kwanzaa Collective UK and Appetite who partnered to launch a new month-long exhibition last month in Bulawayo 

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VicFallsLive managing editor Nokuthaba Dlamini (N.D) set down with Sibanda, and below is the  outcome of the interview. 

(N.D) Please tell us briefly about yourself?

(N.S) My name is Ntjengeti Sibanda, a photographer and filmmaker based in Bulawayo, but originally from Tsholotsho. 

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 I’m self taught and have been in the media productions space for the past seven years.

Most of my work has been in documenting events, content creation for social media marketing and a couple of Zambezi magic commissioned productions. 

(N.D) How can you describe your type of art? 

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I’m more of a multidisciplinary artist, shooting both still and motion pictures and doing a bit of graphic designing as well. So I can say my type of art is digital art more than anything as I have never had a chance to shoot on film, which is something that I’ve been keen to experiment on for quite some time. 

(N. D) When did you realise that you can be create and when would you say marked the beginning of your arts career?

(N.S) It was back in 2012, when a brother of mine who is based in South Africa got us a very special gift, a cool Nikon DSLR camera, a D3100. 

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Being able to point a camera, shoot an image and immediately see how it’ll come out was somehow a super fascinating thing to me as it was my first time to experience it. 

The fact that the very same camera could shoot detailed, high quality videos that were way better than the television sets, really blew my mind.

I can safely say that’s when the journey of discovery began, I fought so hard to have access to the internet to research more about this cool little gadget that my brother had bought for me. 

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(N.D) Can you tell us about your recent achievements, 

(N. S) To this very date, I can say my biggest achievement is the establishment of Nikkor Lane Photo+Cinema, a media productions company that I co-own with my brother who bought me the gift that sparked my interest in photography and filmmaking.

There are also a couple of major highlights of my career thus far, from being part of a Zambezi Magic commissioned production as a cinematographer, creating marketing content for some of the biggest brands in Zimbabwe and of course being a part of this exciting exhibition and cultural exchange program with UK based artists and  arts organizations like Kwanzaa Collective and Appetite. 

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(N. D) What targets have you set for yourself in this competition? 

(N.S) Well to be more elaborate the Tribes: Staffordshire to Matabeleland exhibition isn’t a competition, but rather a call to artists living in Matabeleland to contribute to the establishment of visibility and identity for their cultures and who they are. 

The idea came into mind after a disappointing experience where I was looking for reference images for a film idea I’m developing  at the moment. 

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I was interested in the Ndebele culture, particularly their way of dressing, food, dance and shelters.

The images I found online were disappointing and figured we could get something going to establish a program and space where all artists interested in contributing to the visibility of their own culture could have their work hosted and exhibited to the world. 

Through this cultural exchange program with Kwanza, we had work produced by Zimbabwean artists exhibited in Staffordshire, England. It was so cool to see our names and faces popping up in billboards all over Newcastle.

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The same is happening this side in Bulawayo where our work alongside the UK based artists is being exhibited at the National Art Gallery in Bulawayo. 

My hope is to see the program grow in terms of sponsorship, diversity and the amount of content being created  each year.  

(N.D) What challenges do you face as an upcoming artist and based in big cities such as Bulawayo where there is a potentially bigger market and access to sponsors?

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(N.S) I think the biggest challenges we face today as upcoming artists are mostly to do with lack of funding, collaboration, access to state of the art equipment and process flows that allow for production of good quality work.

Filmmaking is a very expensive craft and requires a lot of resources and collaboration in order to develop a good story and picture. A bit of more support from arts authorities, investors and production companies would go a long way in opening up opportunities for new and upcoming artists who may be having brilliant ideas  but no resources to bring them to life. 

It’s also good to note that a couple of young creators in Bulawayo have worked so hard over the past few years and managed to acquire some fairly good filmmaking and photographic equipment that’s currently servicing the creative industry in Bulawayo and their efforts are commendable. 

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(N. D) What targets have you set yourself as an artist?

(N. S) I’ve once heard the statement “dream big, start small” and it’s what I’ve stuck to up to this very day. The targets I’ve set for myself are insanely high, so high that sometimes I even doubt if I’ll hit them, but the good part about it is the sense of purpose that keeps me grounded and focused on eventually making it happen. My biggest aspiration is to leave a body of work that’s gonna serve to establish and celebrate our identity and culture as Africans and the medium of choice for me is imagery, both still and motion picture. 

(N. D) Where can people find your work and who is your inspiration?

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(N. S) For the Tribes: Staffordshire to Matabeleland Exhibition, the work is being exhibited at The National Art Gallery Of Zimbabwe in Bulawayo till the 22nd of November.

More of my work can also be found on Facebook and Instagram:

Facebook: Ntjengeti Sibanda

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Nikkor Lane Photo+Cinema

Instagram: @ntjengeti_sibanda

@nikkorlane_photo_cinema

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I have so many filmmaking and photography icons that inspire me as an artist, but I will try share just a few at the top of my list and they include:

Peter Jackson, the Director of the Lord Of The Rings and the Hobbit Trilogies.

The late Andrew Lesnie who is the brains behind the cinematography of The Lord Of The Rings. 

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Roger Deakins, An amazing photographer and  cinematographer behind Blade Runner 2049 and 1917.  

Sibanda has been assisted by  Zol and Liquid with free internet programs 

 

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Lifestyle

Molokele mourns the loss of artist Fanuel Mwale

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BY STAFF REPORTER

Daniel Molokele, the Member of Parliament for Hwange Central, paid tribute on Thursday to Fanuel Achimwene Mwale, a prominent local artist and his lifelong friend, who died over the weekend following a brief illness.

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Molokele visited Mwale’s family in Makwika village to offer condolences and visited the artist’s final resting place at the local cemetery. The MP described a personal bond spanning more than 45 years, noting that he and Mwale grew up together in the No. 1 colliery area and remained classmates throughout their years at St Ignatius Primary School.

“I consider him as my first best friend of my entire life,” Molokele said in a statement, adding that the two had shared the formative first five years of their lives together.

Mwale was recognized as a multi-talented artist who represented Hwange on both national and international stages. His career included roles as a dancer, composer, singer, scriptwriter, actor, producer, and director.

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Molokele expressed hope that Mwale’s “exemplary artistic legacy” would serve as an inspiration for other performers emerging from the “hot coalfields of Whange” to achieve similar success .

The MP concluded his tribute by wishing that Mwale’s “dearest artistic soul rest in power”

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Dawn Thandeka King to headline lmiklomelo KaDakamela festival in Nkayi

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BY NOKUTHABA DLAMINI

The hills of Nkayi are set to come alive as preparations for the iMiklomelo kaDakamela Cultural Festival reach an advanced stage, with organizers confirming that acclaimed South African actress and musician Dawn Thandeka King will be the guest of honor.

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The festival, which runs from  3 to 6 April, at the Chief’s homestead, promises a vibrant celebration of music, sport, and traditional experiences that aim to put the district on the global cultural map.

Organizers expressed their excitement over the arrival of the South African star, noting that “her presence brings star power, inspiration, and cultural pride to Nkayi.” The actress will be joined by other high-profile guests, including Gama Mbokane from Tanzania, Prince Wandile Ngobese, and Umntwana waseZibindini uThulani kaGqikazi kaSolomon.

Adding a feat of incredible endurance to the festivities, organizing committee member Dr Gasolo is currently preparing to walk 205km from Bulawayo to ko Dakamela to amplify the voices of local creatives. Dr Gasolo, who recently returned from Zambia where he was part of the “Walk Across Africa” team, will embark on this local trek before heading to Ethiopia later this year to rejoin the journey to Cairo, Egypt.

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Festival coordinator Desmond Ntini confirmed to Southern Eye reporter, Margaret Lubinda that the packed programme includes campfire storytelling, traditional bush dinners, and a unique camping experience. “The chief will take centre stage as the guest storyteller,” Ntini said. The event will also feature the return of the popular Amahubo sessions and sporting events like the trademark Bosso social soccer match and the introduction of cricket, Emakhaya.

Beyond the entertainment, the festival serves a deeper purpose of community empowerment. Workshops will be held to teach villagers how to monetise waste, such as plastic bottles, alongside an empowerment workshop for local artists hosted in collaboration with the Isintu Festival.

This local initiative aligns with recent discussions in the National Assembly regarding the vital role of the tourism sector and heritage preservation. Lawmakers have noted that heritage preservation is a “crucial cog for maintaining the national identity, fostering cultural diversity, driving tourism growth and promoting economic development at large”  Members of Parliament have further observed that cultural tourism is a “powerful driver of economic growth” that has the ability to “transform lives at the grassroots level,” particularly for women and youth .

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However, the road to the festival has not been without its hurdles. Ntini noted that extending the festival’s duration has led to funding challenges. “Our main challenge centres on funding,” he said. “Large numbers of people from the koDakamela community attend, and they also need to be catered for. We are appealing for more support.”

Additional Source: Southern Eye.

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Marvin Dube: Spreading hope and gratitude through gospel music

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BY NOKUTHABA DLAMINI 

Born in Kadoma and raised across various towns in Zimbabwe, gospel artist Marvin Dube carries with him the deep spiritual and cultural roots of his Tonga heritage from Junamina village in Binga. Now based in the United Kingdom, Marvin is making waves in the gospel music scene, using his voice and message to uplift, heal, and inspire.

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Following his previous single “Munoziva Zvose”, Marvin continues to evolve as a gospel minister and artist. His latest songs, Tinetariro and Tendai Mwari, showcase a refreshing mix of faith, gratitude, and reflection on the moral and spiritual challenges facing society today.

Below are excerpts from his interview with Nokuthaba Dlamini, Managing Editor for VicFallsLive, where Marvin opened up about his inspiration, journey, and the purpose behind his new work.

What inspired these new songs, and what message do you hope listeners take away from them?

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Marvin Dube:

Both Tinetariro and Tendai Mwari were born out of reflection and prayer. Tinetariro speaks about hope — the kind that reminds us we are God’s children, even in times of moral decline and confusion. I was inspired by the challenges we are facing today, especially among the youth. Many have lost direction and respect, and social media has become a space where spiritual values are often mocked.

I wanted to use Tinetariro to remind people that there’s still hope for our generation — that God hasn’t forgotten us.

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Tendai Mwari carries a message of gratitude. It encourages us to appreciate God for the little we have and to remain thankful even before we receive the big things we dream of — the car, the house, the job. Gratitude opens doors, and I want listeners to embrace that attitude of thankfulness every day.

How do these songs reflect your personal journey or growth as a gospel artist?

Marvin Dube:

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These songs mark a point of maturity in my journey. I’ve grown to understand that gospel music is more than melody — it’s ministry. I now write with more purpose, aiming to address real issues affecting believers and society. Tinetariro and Tendai Mwari reflect my growth in both faith and artistry, showing that gospel music can heal, correct, and inspire all at once.

Can you tell us about the creative process, from writing to production, and who you worked with on this project?

Marvin Dube:

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My creative process is very spiritual and organic. I draw a lot of inspiration from preaching. Often, a melody will start as a small tune in my mind — it keeps ringing until I can’t ignore it. Usually, the chorus comes first. I then take time to pray for inspiration to write the verses so that the message aligns with what God wants to say through the song.

After that, I play the song on my guitar, record a rough version, and share it with the producer or the band I’ll be working with. For this project, I worked with Hertz Records, who have produced all my music to date. They truly understand my sound and help me bring my ideas to life.

I also want to give a special shout-out to my wife, Leonora, and my two little kids. They’ve been my biggest supporters and motivation throughout this journey. Their love and encouragement mean everything to me.

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How do you see gospel music evolving in Zimbabwe and Africa, and where do you see your work fitting into that movement?

Marvin Dube:

Gospel music in Zimbabwe and across Africa is evolving in powerful ways. Artists are finding new ways to reach wider audiences by blending traditional gospel messages with contemporary sounds. It’s exciting to see how the gospel is being shared in modern, relatable ways — especially among young people.

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I see my work fitting right into that movement. My goal is to be a bridge between generations — to deliver timeless spiritual truths with a fresh, modern sound that speaks to today’s world while staying true to the Word of God.

What has been the most powerful reaction or testimony you’ve received from people who have listened to your music?

Marvin Dube:

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One of the most powerful testimonies I’ve received came from a young listener who said Tinetariro gave them hope again after going through a very dark season. They told me the song reminded them that God still has a plan for their life. Hearing that touched me deeply. It’s moments like those that remind me this is more than music — it’s ministry, and I’m humbled that God is using my songs to touch lives.

Closing Note

Marvin Dube:

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I’m truly grateful for the love and support I’ve received for Tinetariro and Tendai Mwari. If you haven’t listened yet, both songs are available on all streaming platforms and on my YouTube channel, Marvin Dube. The year 2026 will be even more exciting, with several projects already in motion that I believe will uplift and bless many lives.

 

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