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Songs of Queen Lozikeyi released

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BY OWN CORRESPONDENT

Songs of the great Ndebele Queen, Lozikeyi of Lobengula, have emerged from the recording studio and are ready to be released to the world.

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A royal collaboration of 11 acclaimed artists of Bulawayo, ‘City of Kings’, the studio production Song of Queen Lozikeyi follows a scintillating performance and rave reviews of the initial collaboration staged at Bulawayo Arts Festival in June 2021.

‘Songs of Queen Lozikeyi’ portrays a vivid image of the queen’s power, energy and leadership, a six- track album of high-energy foot-tappers and haunting ballads, interspersed with poetry by two young poets in the style of traditional praise poetry for African kings in the Ndebele culture.

Lead singers and songwriters are Thandy Dhlana and Nomathamsanqa ‘Nkwali’ Mkwananzi, along with poets Sithandazile Dube, and Thandokuhle Sibanda, musicians Prince Joel Nyoni (keyb), Obey Mudiwa (drums), Paul Maseko (bass), Mthabisi Moyo (guitar), Gomez Dube (percussion), Vuyile Qongo (saxophone), and Laura Ngwenya on backing vocals.

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The recording is under the hands of engineer Erastus Nleya of Loud Records and Prince Joel Nyoni.

Featured in the six-track recording is the song Halala Lozikeyi by Nkwali, which was commissioned by the Queen Lozikeyi Trust, set up by her descendants to preserve her legacy.

The song salutes the queen with evocative lyrics, a fitting tribute.

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Also written and performed by Nkwali are Mbungazeni and Sizopika, a folk song with poetry by Sithandazile Dube; and from Thandy Dhlana come Story with poetry by Thando Sibanda; Asambeni, co-arranged by Nkwali, and Queen Lozikeyi where Thandy is accompanied by both poets.

Featured poetry works are Amandla and Call Me By My Name by Thando Sibanda, and Sibongile Ndlovukazi, Indlovukazi and KoBulawayo by Sithandazile Dube.

Musician Prince Joel Nyoni, who is a member of the award-winning group Ngoma Ingoma and music director and arranger for the Queen Lozikeyi project said, “I am very happy about this project because it’s something that we’ve been waiting for.

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“We have celebrated so many people’s histories – we know about Snow White, Julius Caesar and Mbuya Nehanda, but I feel like we didn’t know a lot about who Lobengula’s wife was, and what better way to bring her out than through music?

“I think the idea of sharing this knowledge through music is great, so that besides people seeing it, it can be archived for future generations.

“Not only for Bulawayo, but for Zimbabwe overall, as she was also instrumental in the Ndebele resistance.

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“I’m very happy to be part of the project and the fact that I was working with amazing team of musicians and great singers.

“Also thanks to Nhimbe Trust, Josh Nyapimbi and Saimon Mambazo Phiri for the opportunity, and for actually coming up with the idea where we can finally document Lozikeyi as the queen that she was and reveal to people her influence in the struggle for justice in colonial times.

“Both the lyrical content and musical effect are just beautiful; and the story is not finished, we still want to make it bigger, add more music.

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“There are so many stories to tell – of women’s empowerment, encouragement, exhortation and celebration.”

Nyoni said the music developed as rooted in traditional Ndebele folk style with strong vocals and drums, but also modernised with western instrument effects.

Where Nkwali’s music keeps close to the traditional styles, Thandy breaks into afrojazz.

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The track Mbungazeni is infused with the maskandi style which is celebrated in the Southern Africa region.

Sizopika fuses the past and the present, with different Ndebele and other traditional music styles, and the music also employs elements of east and west African flavours.

Local and international tour arrangements are underway.

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Gilmore Tee makes it to the Forty under 40 Africa list

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BY OWN CORRESPONDENT

Global Citizen, Curator, Forbes 30 Alumni and Media Practitioner – Gilmore Tee made the Forty under 40 Africa List for 2023, alongside some outstanding personalities such as BBc’s Nyasha Michelle, South Africa’s Yershen Pillay, Vumile Msweli and Algeria’s Toumiat Lakhdar.

Gilmore is known for his works with Paper Bag Africa which houses the PAN African lifestyle and cross-networking event – The PiChani, European Film Festival Zimbabwe, I Wear My Culture and eMoyeni Digital Storytelling.

The 33-year-old is known for his work in the creative industry and brands such as Jameson, Fastjet, Food Lovers Market, GQ South Africa and Glamour Magazine.

Earlier this year the organisers of the Forty under 40 Africa initiative, Xodus Communications Limited, shortlisted 126 nominees from 24 African countries. The initiative is aimed at recognizing and celebrating emerging leaders under the age of 40 who demonstrate or impact personally and/ or professionally through their exceptional leadership.

The personalities nominated this year cut across countries such as; South Africa, Egypt, Zimbabwe, Uganda, Nigeria, Kenya, Ghana, Tanzania, Cameroon, South Sudan, Morocco, Benin, Mauritius, Algeria, Swaziland, Sierra Leone, Ethiopia, Rwanda, Algeria, Botswana, Tunisia, Eswatini, Lesotho and Gambia.

At the event which was held on the March 25 at the Leonardo Hotel in Sandton City, South Africa, Gilmore was announced as a winner and part of the 40 lists, alongside other 39 outstanding practitioners from across the African continent.

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Across Zimbabwe, British scones are the taste of home

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HARARE – A sweet doughy treat from Britain has become a beloved part of Zimbabwe’s national cuisine, where despite the country’s colonial past, mothers and chefs alike now claim the pastry as their own.

The scone, which Brits normally enjoy with afternoon tea, is ubiquitous in Harare, the southern African country’s capital.

A breakfast favourite in these parts, it can be found everywhere from high-end eateries to the market stalls of impoverished townships.

“We love scones. They are not British, they are ours, our local scones,” Nyari Mashayamombe, a rights activist, says as she leaves an upmarket restaurant in Harare’s Belgravia district, its garden dotted with open umbrellas

Dense yet airy, Zimbabwean scones are the result of the intercultural mix that came with colonisation, says Mashayamombe, a red-haired 42-year-old who is also a singer and media personality.

In “fancy places like here… a beautiful scone goes as high as six bucks,” she said, referring to the American dollars that have become Zimbabwe’s parallel and preferred currency.

“It’s worth it.”

A few kilometres away at a market in Harare’s oldest township of Mbare, scones are impossible to find after midday.

“We sold them all this morning. They move quickly,” one vendor says.

 

The main communal bakery in Mbare, a bustling working-class district, opens at dawn.

Tawanda Mutyakureva, 26, arrives at around five in the morning to his work station, measuring two square metres, where he has to bend over to spread the dough on a knee-height countertop.

Every day he cranks out around 200 scones in an overheated room with cinder-block walls, lit by two bulbs hanging from a wire.

Brandishing a cookie cutter, he works quickly to whip out one batch after another, with each scone selling for 25 American cents.

In the hot, humid atmosphere redolent of yeast, his wife – with their baby strapped to her back – helps him with buttering the pastries and clearing plates.

Resellers come in to buy 10 or 20 pieces that will be sold at small grocery stores.

Memory Mutero, 46, was at the bakery to buy bread, since she makes her own scones at home.

“I make scones for my three kids. It takes about 45 minutes,” she tells AFP.

Her ingredients are simple: flour, salt, yeast, sugar, butter and milk.

But at the Bottom Drawer, an upscale tearoom in Harare, cook Veronica Makonese is unimpressed after tasting a scone brought back from the township.

“There is no milk in those, they used water!” the 46-year-old claims.

A white kerchief on her head, Makonese says she makes her own buttermilk for her scones, to control temperature and acidity levels, and uses only real butter to ensure the proper taste and softness.

Her boss, Sarah Macmillan, a 53-year-old Zimbabwean, says she longs for the scones she would eat as a child.

Back then, two shops in the centre of Harare, now closed, competed for the crown of best scone in the country, and Macmillan wanted her tearoom to make some that are “just as good”.

Macmillan says the secret of the little cake’s enduring success, in a country struggling with endemic poverty, is simple: “It’s very filling and affordable.” – AFP

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South African rapper AKA gunned to death

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BY CHRIZELDA KEKANA

Rapper AKA, real name Kiernan Forbes, has died.

TshisaLIVE confirmed that the 35-year-old rapper was shot dead outside a popular restaurant on Florida Rd in Durban.

Police confirmed that a 35-year-old male and another unidentified male had been shot dead on Friday.

Speaking to TimesLIVE, ALS paramedic Garrith Jamieson explained that just after 10.15pm this evening they responded to a shooting incident where two men sustained multiple gunshot wounds.

“On arrival, paramedics met total chaos and a scene where two men, believed to be in their late 30s, sustained multiple gunshot wounds. Paramedics assisted the men and unfortunately the first male had sustained multiple gun shot wounds and showed no signs of life and was declared deceased at the scene.”

He said a second male was found in critical condition and died despite advanced life support intervention due to extensive injuries.

It remains unclear what the motive for the shooting was. SAPS and Metro were on scene and closed the road to assist with the investigation.

AKA is among SA’s best rappers and has produced and written many hit songs including Fela In Versace, Baddest and others since he broke into the industry over a decade ago.

He shares a daughter, Kairo, with DJ Zinhle and was in a relationship with rapper Nadia Nakai. TimesLIVE

 

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