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Songs of Lozikeyi now headed to the studio

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By Penny Yon

Born at the Bulawayo Arts Festival 2021, the musical production ‘Songs of Lozikeyi’ – a collaborative effort featuring highly rated artists from Bulawayo – stole the show at the annual festival and is now headed to the studio.

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An initiative of Nhimbe Trust, Songs of Lozikeyi celebrates the powerful Queen Lozikeyi Dlodlo, senior wife of the great King Lobengula, and later queen regent of the Ndebele people; warrior queen of the 1896 Anglo-Ndebele war, champion of women and justice.

With vibrant performances in song, dance and poetry, the festival production featured 21 acclaimed artists from Bulawayo, working together to create a vivid musical tribute and celebrate the life and history of the great Queen.

Guided by the writings of acclaimed Bulawayo historian Pathisa Nyathi in Lozikeyi Dlodlo: Queen of the Ndebele and other research, the production was written by Noma Damasane aka Lady Tshawe and Thabani H Moyo, conceptualised and directed by Mambazo Phiri, with Josh Nyapimbi, executive director of Nhimbe Trust as executive producer.

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The music recording will involve part of the original cast and others such as lead singers Thandy Dhlana and Nomathamsanqa ‘Nkwali’ Mkwananzi, poets Sithandazile Dube, and Thandokuhle Sibanda, Prince Joel Nyoni (guitar), Obey Mudiwa (drums), Paul Maseko (bass), Mthabisi Moyo (guitar), Gomez Dube (percussion), Vuyile Qongo (saxophone), and Laura Ngwenya on backing vocals.

The recording is under the hand of engineer Erustus Nleya of Loud Records and Prince Joel Nyoni.

Nyapimbi said “It feels great to get back into the studio for Nhimbe Trust’s second music studio recording after the 2017 Blood Tongue: The Musical.

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“This time it’s the Songs of Queen Lozikeyi, working with some of Bulawayo’s finest musicians.

“We believe the music will cut a niche for itself on the world stage both live and digitally.”

Featured in the six-track recording is the song Halala Lozikeyi by Nkwali, which was commissioned by the Queen Lozikeyi Trust, set up by her descendants to preserve her legacy.

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The song salutes the queen with evocative lyrics, a fitting tribute.

Sihlangu Dlodlo, chairman of the Queen Lozikeyi Trust, said: “As the Lozikeyi Trust we believe that this is the time now to celebrate the Queen as a national icon, a national heroine, and to use her name to motivate young women, especially from the disadvantaged sectors of our society to stand up and be counted; to draw some inspiration and motivation from who Queen Lozikeyi was, because she stood up when the king had disappeared and took leadership and pushed people to achieve something.

“So this is the kind of thing we expect, we expect our young people and especially young women to stand up and be counted and not to be intimidated by circumstances.

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“Songs of Lozikeyi was a brilliant show… first of all the artists selection was very special because and Thandy Dhlana and Noma Nkwali are some of the best voices we have around. \

“Their music is slightly different but very complementary, so this enabled the music of Lozikeyi to have that necessary variety.

Dlodlo added: “Thandy came in with this jazzy touch, Nkwali came in with the traditional touch and it all blended very, very well.

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“The dancing was fantastic, I think the young choreographers did a splendid job in managing to capture the mood of the songs and the story of the songs.

“For me the balance was well done and the whole thing came together to present the strength and the focus that is the story of Queen Lozikeyi herself. I say “Hats off!” for a job well done”.

The Queen Lozikeyi Trust also costumed lead singers Thandy Dlana and Nkwali, designed by Vuyelwa Mabhena who is a member of the Trust.

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Pic by Mgcini Nyoni

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Gilmore Tee makes it to the Forty under 40 Africa list

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BY OWN CORRESPONDENT

Global Citizen, Curator, Forbes 30 Alumni and Media Practitioner – Gilmore Tee made the Forty under 40 Africa List for 2023, alongside some outstanding personalities such as BBc’s Nyasha Michelle, South Africa’s Yershen Pillay, Vumile Msweli and Algeria’s Toumiat Lakhdar.

Gilmore is known for his works with Paper Bag Africa which houses the PAN African lifestyle and cross-networking event – The PiChani, European Film Festival Zimbabwe, I Wear My Culture and eMoyeni Digital Storytelling.

The 33-year-old is known for his work in the creative industry and brands such as Jameson, Fastjet, Food Lovers Market, GQ South Africa and Glamour Magazine.

Earlier this year the organisers of the Forty under 40 Africa initiative, Xodus Communications Limited, shortlisted 126 nominees from 24 African countries. The initiative is aimed at recognizing and celebrating emerging leaders under the age of 40 who demonstrate or impact personally and/ or professionally through their exceptional leadership.

The personalities nominated this year cut across countries such as; South Africa, Egypt, Zimbabwe, Uganda, Nigeria, Kenya, Ghana, Tanzania, Cameroon, South Sudan, Morocco, Benin, Mauritius, Algeria, Swaziland, Sierra Leone, Ethiopia, Rwanda, Algeria, Botswana, Tunisia, Eswatini, Lesotho and Gambia.

At the event which was held on the March 25 at the Leonardo Hotel in Sandton City, South Africa, Gilmore was announced as a winner and part of the 40 lists, alongside other 39 outstanding practitioners from across the African continent.

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Across Zimbabwe, British scones are the taste of home

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HARARE – A sweet doughy treat from Britain has become a beloved part of Zimbabwe’s national cuisine, where despite the country’s colonial past, mothers and chefs alike now claim the pastry as their own.

The scone, which Brits normally enjoy with afternoon tea, is ubiquitous in Harare, the southern African country’s capital.

A breakfast favourite in these parts, it can be found everywhere from high-end eateries to the market stalls of impoverished townships.

“We love scones. They are not British, they are ours, our local scones,” Nyari Mashayamombe, a rights activist, says as she leaves an upmarket restaurant in Harare’s Belgravia district, its garden dotted with open umbrellas

Dense yet airy, Zimbabwean scones are the result of the intercultural mix that came with colonisation, says Mashayamombe, a red-haired 42-year-old who is also a singer and media personality.

In “fancy places like here… a beautiful scone goes as high as six bucks,” she said, referring to the American dollars that have become Zimbabwe’s parallel and preferred currency.

“It’s worth it.”

A few kilometres away at a market in Harare’s oldest township of Mbare, scones are impossible to find after midday.

“We sold them all this morning. They move quickly,” one vendor says.

 

The main communal bakery in Mbare, a bustling working-class district, opens at dawn.

Tawanda Mutyakureva, 26, arrives at around five in the morning to his work station, measuring two square metres, where he has to bend over to spread the dough on a knee-height countertop.

Every day he cranks out around 200 scones in an overheated room with cinder-block walls, lit by two bulbs hanging from a wire.

Brandishing a cookie cutter, he works quickly to whip out one batch after another, with each scone selling for 25 American cents.

In the hot, humid atmosphere redolent of yeast, his wife – with their baby strapped to her back – helps him with buttering the pastries and clearing plates.

Resellers come in to buy 10 or 20 pieces that will be sold at small grocery stores.

Memory Mutero, 46, was at the bakery to buy bread, since she makes her own scones at home.

“I make scones for my three kids. It takes about 45 minutes,” she tells AFP.

Her ingredients are simple: flour, salt, yeast, sugar, butter and milk.

But at the Bottom Drawer, an upscale tearoom in Harare, cook Veronica Makonese is unimpressed after tasting a scone brought back from the township.

“There is no milk in those, they used water!” the 46-year-old claims.

A white kerchief on her head, Makonese says she makes her own buttermilk for her scones, to control temperature and acidity levels, and uses only real butter to ensure the proper taste and softness.

Her boss, Sarah Macmillan, a 53-year-old Zimbabwean, says she longs for the scones she would eat as a child.

Back then, two shops in the centre of Harare, now closed, competed for the crown of best scone in the country, and Macmillan wanted her tearoom to make some that are “just as good”.

Macmillan says the secret of the little cake’s enduring success, in a country struggling with endemic poverty, is simple: “It’s very filling and affordable.” – AFP

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South African rapper AKA gunned to death

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BY CHRIZELDA KEKANA

Rapper AKA, real name Kiernan Forbes, has died.

TshisaLIVE confirmed that the 35-year-old rapper was shot dead outside a popular restaurant on Florida Rd in Durban.

Police confirmed that a 35-year-old male and another unidentified male had been shot dead on Friday.

Speaking to TimesLIVE, ALS paramedic Garrith Jamieson explained that just after 10.15pm this evening they responded to a shooting incident where two men sustained multiple gunshot wounds.

“On arrival, paramedics met total chaos and a scene where two men, believed to be in their late 30s, sustained multiple gunshot wounds. Paramedics assisted the men and unfortunately the first male had sustained multiple gun shot wounds and showed no signs of life and was declared deceased at the scene.”

He said a second male was found in critical condition and died despite advanced life support intervention due to extensive injuries.

It remains unclear what the motive for the shooting was. SAPS and Metro were on scene and closed the road to assist with the investigation.

AKA is among SA’s best rappers and has produced and written many hit songs including Fela In Versace, Baddest and others since he broke into the industry over a decade ago.

He shares a daughter, Kairo, with DJ Zinhle and was in a relationship with rapper Nadia Nakai. TimesLIVE

 

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