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Contest shines a light on the Ndebele matrilineal culture of home painting

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BY TENDAI MARIMA

MATOBO – Peggy Masuku put the finishing touches on the welcome sign to her homestead in Matabeleland South’s Matobo district.

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She surveyed her handiwork, six months of designing and painting her huts in anticipation of an annual competition, My Beautiful Home, which recognises the most beautiful traditionally decorated homes in the district.

It was a one-woman effort – with some with some constructive criticism from her husband – to decorate the homestead’s huts in patterns of brown, black, red and grey.

Adorned, they stood out among the orange and lemon trees and the rock garden dotted with native aloes and cactus plants.

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In Ndebele culture, hut decoration is solely a women’s duty and the secrets of the traditional patterns and the making of natural paints have been passed from one generation to the next for hundreds of years.

As a young girl, Masuku learnt how to design patterns and paint huts from her mother.

Now she only designs what she feels. “I listen to the walls as I work and I feel like they tell me what sort of shape I must put,” she said.

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“There’s a feeling you get when you create art and that’s what guides me as I put designs on the walls.”

The My Beautiful Home awards started in 2014 with just 30 entrants.

When the competition began, its purpose was to document and preserve the local Ndebele tribe’s tradition of painting homes.

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In recent years, the contest has attracted attention well beyond Matobo, drawing judges, sponsors and cultural enthusiasts from elsewhere in Zimbabwe and from other countries.

Originally from present-day South Africa, the Ndebele fled 19th-Century Zulu wars and settled in present-day Zimbabwe in the 1830s, bringing with them the tradition of exterior hut-painting in geometric designs using earth-toned natural dyes.

Over time, the designs have come to incorporate patterns from other cultures, and the creativity of the hut-painters has evolved to include wild animals, flowers and people.

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Interior painting, which has become part of the culture of beautifying the home, is a tradition borrowed from the local Shona people.

Throughout the Matobo Hills, art is woven into life.

The landscape is studded with massive granite boulders, some of which create caves that shelter ancient paintings.

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Believed to have one of southern Africa’s largest concentration of rock art, the caves of the Matobo Hills are adorned with images up to 12,000 years old.

When it’s time to paint, Masuku seeks her raw materials from surrounding nature.

In Masuku’s village of Mafela, anthills are a common sight and she uses the greyish soil from the anthill domes to make her grey and white paints.

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She also uses ash and charcoal residue from fires to create black and white.

The reds and browns come from red clay soil, but she has to travel long distances with her wheelbarrow in search of good quality soil and water.

She does it all herself; her husband is severely asthmatic so he can’t help with the sourcing or making of the mud dyes.

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Masuku begins painting during the dry season which normally runs from March to October.

“It takes me a long time to finish decorating because I have to do so many other duties at home, I have to cook daily, [and] during the harvest season there are crops to be picked.

When I have time, I go into the bush to look for the different soils.

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I have to bake some of the soils so I get the specific colour I want,” she explained.

She daubs her paints onto the walls using old socks and netting fabric.

The geometric patterns she paints reflect traditional Ndebele art.

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Masuku’s designs have earned her two wins in the My Beautiful Home contest, in 2018 and 2019.

According to the founder of the competition, Pathisa Nyathi, a local historian and director of local community arts centre, the Amagugu Heritage Centre, the geometric patterns, especially the circular forms, have a deeper symbolism.

“The round shape represents the contour of the Earth, Sun, Moon and any other planets,” Nyathi said.

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“Everything the Africans built in medieval times were round in shape, be it their houses, kraals [enclosure or group of houses around an enclosure], shields or pots…

“Old Bulawayo grass huts are all in a circular shape.”

This year, Masuku is expanding her efforts.

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She has extended her decor to the outside eating area and is experimenting with new styles such as drawing hands and flowers in the kitchen.

When Masuku first entered in 2018, she took it as an opportunity to exhibit her skill in making dresses using organic materials.

Her works have included a strapless dress made from the leaves of corn cobs, shoes sequined with pumpkin seeds and a necklace made from the seeds of wild trees.

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“I spent three nights sewing the first one with my machine.

“I don’t know if I’ll make something else this year, but making clothes from natural [and] free things are my favourite designs,” she explained.

Each year in August, hundreds of women enter the contest supported by Ekhaya Gaia a local NGO supporting sustainable communities, to showcase their adorned homes.

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Prizes include farming and water implements such as ploughs, wheelbarrows and water storage tanks.

For each of her wins, Masuku was awarded a water tank, which she uses to harvest and store rainwater to get through the dry months of the year.

After months of painting, the results fade quickly.

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Each year, the elaborate decorations are washed away with the coming of the rains in October.

It’s a loss but also a welcome end to the dry season.

And it offers these house artists a fresh canvas for the next year.

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For now, not many tourists are visiting the Matobo Hills for hiking, bird watching or to admire the painted homes due to lockdown travel restrictions.

But to Masuku, this remains a special place.

“When I’m here I don’t have to worry, I breathe the fresh air and it brings me back to my inner centre, where I should be,” she said.

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The traditions celebrated by the My Beautiful Home contest are specific to the region, but their spirit is universal.

“I hope that other people around Zimbabwe will be inspired to decorate their homes,” she said, “and to make their homes into something they love.” – BBC Travel

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In the community

Human-wildlife conflict claims 18 lives in Zimbabwe’s first quarter

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BY NOKUTHABA DLAMINI 

The Zimbabwe Parks and Wildlife Management Authority (ZimParks) has reported a disturbing trend of human-wildlife conflict in the country’s first quarter of 2025. According to the authority, 18 people have lost their lives, and 32 others have been injured in encounters with wildlife.

ZimParks spokesperson Tinashe Farawo revealed that the authority received 579 cases of human-wildlife conflict, which they managed to respond to promptly. The incidents have also resulted in significant livestock losses, with at least 53 cattle and 85 goats killed by wildlife.

The districts most affected by these incidents include Binga, Hwange, Kariba, Chiredzi, Hurungwe, Nyaminyami, and Mbire. ZimParks has been working tirelessly to raise awareness about wildlife behaviors and effective preventive measures in these areas.

In response to the crisis, ZimParks has translocated 129 animals back into protected areas and eliminated 158 animals deemed problematic.

“We encourage communities to continue reporting incidents to ZimParks Problem Animal Control numbers and local leadership, such as Councillors, Traditional Leaders, and Rural District Council Authorities, to ensure that we preserve lives,” Farawo urged.

The significant increase in livestock losses, with cattle deaths rising from 18 to 53 and goat deaths from 21 to 85 compared to the same period in 2024, highlights the growing challenge of human-wildlife conflict in Zimbabwe.

ZimParks’ efforts to mitigate the conflict include community initiatives to educate people on managing wildlife encounters effectively.

 

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In the community

Crocodile attacks claim 9 lives, injure 11

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BY NOKUTHABA DLAMINI

A surge in crocodile attacks has left a trail of death and destruction in Zimbabwe, with 9 fatalities and 11 injuries reported in the last two months.

According to a statement released by the Zimbabwe Parks and Wildlife Management Authority (ZimParks), 49 human-crocodile conflict cases were recorded during the same period, resulting in the loss of 44 cattle and 60 goats.

The Mid-Zambezi region, which includes Lake Kariba, Angwa River, and Hunyani River, was the hardest hit, with 19 cases reported. The Central region recorded 14 cases, while 16 cases were reported in other areas, including Matopo, Harare, North-West Matabeleland, and South-East Low-veld.

ZimParks has urged communities to exercise extreme caution, especially around water bodies, during the current rain season. The authority has advised communities to ensure that livestock and children are not left unattended near rivers or lakes, and to take precautions when engaging in water activities such as fishing, swimming, and domestic chores.

To mitigate the situation, ZimParks is working closely with local authorities and conservation partners to raise public awareness and promote safety practices. The authority has emphasized its commitment to finding a balance between ensuring public safety and conserving wildlife.

As the situation continues to unfold, ZimParks has appealed to the public to remain vigilant and to report any crocodile sightings or attacks to the authorities.

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Nkayi

Nkayi man sentenced to 20 years for murdering patron

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BY STAFF REPORTER

In a High Court circuit sitting in Hwange, a 23-year-old man from Gwelutshena was sentenced to 20 years in prison for murder.

Mtabisi Ndimande was convicted of killing a 39-year-old man in a brutal axe attack that occurred on August 5, 2024, at DZ Sports Bar in Inyathi.

The court heard that Ndimande had been drinking beer with the deceased when an argument ensued.

Despite intervention from a security guard, Ndimande pulled out an axe and struck the deceased on the head.

The blow caused the deceased to collapse, while the axe remained embedded in his head. The offender then removed the axe and walked away.

The deceased bled profusely and was taken to the hospital, where he succumbed to his injuries on August 6, 2024.

The police responded to the scene and recovered the axe.

 

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