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Contest shines a light on the Ndebele matrilineal culture of home painting

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BY TENDAI MARIMA

MATOBO – Peggy Masuku put the finishing touches on the welcome sign to her homestead in Matabeleland South’s Matobo district.

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She surveyed her handiwork, six months of designing and painting her huts in anticipation of an annual competition, My Beautiful Home, which recognises the most beautiful traditionally decorated homes in the district.

It was a one-woman effort – with some with some constructive criticism from her husband – to decorate the homestead’s huts in patterns of brown, black, red and grey.

Adorned, they stood out among the orange and lemon trees and the rock garden dotted with native aloes and cactus plants.

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In Ndebele culture, hut decoration is solely a women’s duty and the secrets of the traditional patterns and the making of natural paints have been passed from one generation to the next for hundreds of years.

As a young girl, Masuku learnt how to design patterns and paint huts from her mother.

Now she only designs what she feels. “I listen to the walls as I work and I feel like they tell me what sort of shape I must put,” she said.

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“There’s a feeling you get when you create art and that’s what guides me as I put designs on the walls.”

The My Beautiful Home awards started in 2014 with just 30 entrants.

When the competition began, its purpose was to document and preserve the local Ndebele tribe’s tradition of painting homes.

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In recent years, the contest has attracted attention well beyond Matobo, drawing judges, sponsors and cultural enthusiasts from elsewhere in Zimbabwe and from other countries.

Originally from present-day South Africa, the Ndebele fled 19th-Century Zulu wars and settled in present-day Zimbabwe in the 1830s, bringing with them the tradition of exterior hut-painting in geometric designs using earth-toned natural dyes.

Over time, the designs have come to incorporate patterns from other cultures, and the creativity of the hut-painters has evolved to include wild animals, flowers and people.

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Interior painting, which has become part of the culture of beautifying the home, is a tradition borrowed from the local Shona people.

Throughout the Matobo Hills, art is woven into life.

The landscape is studded with massive granite boulders, some of which create caves that shelter ancient paintings.

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Believed to have one of southern Africa’s largest concentration of rock art, the caves of the Matobo Hills are adorned with images up to 12,000 years old.

When it’s time to paint, Masuku seeks her raw materials from surrounding nature.

In Masuku’s village of Mafela, anthills are a common sight and she uses the greyish soil from the anthill domes to make her grey and white paints.

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She also uses ash and charcoal residue from fires to create black and white.

The reds and browns come from red clay soil, but she has to travel long distances with her wheelbarrow in search of good quality soil and water.

She does it all herself; her husband is severely asthmatic so he can’t help with the sourcing or making of the mud dyes.

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Masuku begins painting during the dry season which normally runs from March to October.

“It takes me a long time to finish decorating because I have to do so many other duties at home, I have to cook daily, [and] during the harvest season there are crops to be picked.

When I have time, I go into the bush to look for the different soils.

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I have to bake some of the soils so I get the specific colour I want,” she explained.

She daubs her paints onto the walls using old socks and netting fabric.

The geometric patterns she paints reflect traditional Ndebele art.

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Masuku’s designs have earned her two wins in the My Beautiful Home contest, in 2018 and 2019.

According to the founder of the competition, Pathisa Nyathi, a local historian and director of local community arts centre, the Amagugu Heritage Centre, the geometric patterns, especially the circular forms, have a deeper symbolism.

“The round shape represents the contour of the Earth, Sun, Moon and any other planets,” Nyathi said.

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“Everything the Africans built in medieval times were round in shape, be it their houses, kraals [enclosure or group of houses around an enclosure], shields or pots…

“Old Bulawayo grass huts are all in a circular shape.”

This year, Masuku is expanding her efforts.

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She has extended her decor to the outside eating area and is experimenting with new styles such as drawing hands and flowers in the kitchen.

When Masuku first entered in 2018, she took it as an opportunity to exhibit her skill in making dresses using organic materials.

Her works have included a strapless dress made from the leaves of corn cobs, shoes sequined with pumpkin seeds and a necklace made from the seeds of wild trees.

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“I spent three nights sewing the first one with my machine.

“I don’t know if I’ll make something else this year, but making clothes from natural [and] free things are my favourite designs,” she explained.

Each year in August, hundreds of women enter the contest supported by Ekhaya Gaia a local NGO supporting sustainable communities, to showcase their adorned homes.

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Prizes include farming and water implements such as ploughs, wheelbarrows and water storage tanks.

For each of her wins, Masuku was awarded a water tank, which she uses to harvest and store rainwater to get through the dry months of the year.

After months of painting, the results fade quickly.

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Each year, the elaborate decorations are washed away with the coming of the rains in October.

It’s a loss but also a welcome end to the dry season.

And it offers these house artists a fresh canvas for the next year.

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For now, not many tourists are visiting the Matobo Hills for hiking, bird watching or to admire the painted homes due to lockdown travel restrictions.

But to Masuku, this remains a special place.

“When I’m here I don’t have to worry, I breathe the fresh air and it brings me back to my inner centre, where I should be,” she said.

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The traditions celebrated by the My Beautiful Home contest are specific to the region, but their spirit is universal.

“I hope that other people around Zimbabwe will be inspired to decorate their homes,” she said, “and to make their homes into something they love.” – BBC Travel

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In the community

MPs raise alarm over illegal gold mining threatening Inyathi hospital

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BY NOKUTHABA DLAMINI 

The Parliamentary Portfolio Committee on Health and Child Care has raised serious concern over illegal gold mining activities taking place directly beneath Inyathi District Hospital in Bubi District, Matabeleland North — warning that the facility’s infrastructure could collapse if the practice continues unchecked.

The revelation came during the committee’s ongoing verification visits to rural health centres across Zimbabwe, aimed at assessing the state of medical infrastructure, equipment, and essential drug availability. The visits, led by Hon. Daniel Molokele, are being conducted on behalf of the committee chairperson, Hon. Dr. Thokozani Khupe.

Speaking to VicFallsLive, Molokele said the team was shocked to discover that artisanal miners (amakorokoza) had extended their illegal mining tunnels under the hospital grounds.

“One of the things that we found at Inyathi District Hospital is that amakorokoza are now doing their gold mining right under the hospital,” said Molokele. “They used to do it outside, but now they have gone beneath the facility. There is a real risk that the infrastructure might collapse because of the underground pressure. This is lawlessness that the government urgently needs to address.”

Molokele added that the situation reflects broader governance and enforcement challenges in mining communities, where unregulated artisanal mining continues to threaten both public safety and environmental health.

“Most of the cases that patients come with are physical wounds — largely injuries from violent clashes among the amakorokoza,” he said. “There’s a lot of violence happening there, and it is putting a heavy burden on an already under-resourced hospital.”

The committee, which began its tour on Monday in Inyathi before proceeding to Avoca in Insiza District (Matabeleland South), Gundura in Masvingo, and Mutiusinazita in Buhera (Manicaland), is compiling findings that will inform parliamentary recommendations.

“We will produce a report that will have clear recommendations,” Molokele said. “The National Assembly will debate it, and the Minister of Health will use it to engage the Minister of Finance, especially in the upcoming budget process. We are hoping for a renewed focus on rural healthcare centres, which have been neglected and underfunded for many years.”

Molokele said the verification exercise — though limited by time and financial constraints — seeks to highlight conditions in at least one rural health facility per province.

The committee’s findings come at a time when Zimbabwe’s rural health infrastructure is under severe strain, with many facilities struggling with drug shortages, outdated equipment, and deteriorating buildings. The situation in Inyathi now adds a new dimension of danger — where illegal mining is not only threatening livelihoods but also public infrastructure meant to save lives.

 

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In the community

Painted Dog Conservation and Uncommon bring free coding school to Gwai Valley Primary

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BY NOKUTHABA DLAMINI 

Painted Dog Conservation (PDC), in partnership with technology-driven organisation Uncommon, is set to establish a free coding school at Gwai Valley Primary in Lupane District, marking a new chapter in community empowerment and education.

Speaking during an interview with VicFallsLive, PDC operations director, David Kuvawoga said the initiative stems from the organisation’s long-term work with local schools through its children’s bush camps.

“In our quest to find solutions to the poaching crisis, and building on the work we’ve done with schools over the years, we identified Gwai Primary as a good location to start a coding school,” he explained. “We partnered with Uncommon, which already runs facilities in Harare and Victoria Falls, to bring this opportunity closer to rural communities.”

The school will be housed in container units equipped with computers and other necessary technology. According to PDC, the project will be led by youths from the Gwai community who underwent year-long training in Victoria Falls and are now prepared to teach children — and adults — the fundamentals of coding.

“This is not just for schoolchildren,” the operations director said. “Anyone in the community with the passion to learn can join. What matters is the interest and commitment, not formal qualifications.”

Importantly, the programme will be free of charge. Both organisations confirmed that tuition, equipment, and running costs are fully covered through fundraising efforts.

“No one is going to pay a cent,” he said. “Just like our bush camps, which host over a thousand children every year without charge, this coding school is fully funded. All the community needs to do is embrace it.”

PDC has previously supported communities through projects such as boreholes and gardens, but this marks its first major investment in technology. The director said the initiative has the potential to address unemployment, improve education, and give local youth world-class digital skills.

“Coding is a highly sought-after skill across the world,” he noted. “If young people here can learn it, they can secure jobs or even create employment for others. This is a brick in the foundation of uplifting Lupane, Hwange, and beyond.”

The coding school is expected to open in December at Gwai Valley Primary.

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In the community

Lupane police officer sentenced for tampering with mbanje evidence

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BY WANDILE TSHUMA 

A 21-year-old constabulary officer in Lupane has been convicted after admitting he tampered with evidence in a drug possession case, effectively helping a suspect conceal part of the stash.

The officer, Nqobile Mutale, was on duty at Lupane Terminus Base on the 18th of September when he arrested Thulani Sibanda, who had been implicated in unlawful possession of dagga/imbanje. Instead of handing over the full exhibit, Mutale struck a deal with Sibanda and hid part of the recovered drugs behind the police base.

Detectives later uncovered the hidden dagga, with Mutale leading them to the site during investigations.

Standing before the Lupane Magistrates’ Court, Mutale pleaded guilty to obstructing the course of justice. He was handed a 24-month sentence, with nine months suspended. The balance of 15 months was also suspended, provided he completes 525 hours of community service.

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